The setting was the giant ballroom of the Baltimore Convention Center
in Baltimore, Maryland. The time was 3:30PM Saturday, August 9th. To a sizeable crowd
of four thousand screaming fangirls (and boys), TM Revolution sang his heart out. His
first American audience then returned his energy, getting louder and louder. To put it
simply, the joint was hot. Not bad for a soft-spoken Japanese man who is
relatively unknown in America.
Mr. Takanori Nishihata is the first artist that startup record company
Tofu Records (a Sony company) has had a chance to promote in the US. His stage name is
TM Revolution, which stands for "Takanori Makes Revolution." His unique sound can be
heard in the second Rurouni Kenshin TV series ending song, "Heart of Sword - Yoake Mae,"
as well as in the more recent first Gundam SEED opening song, "Invoke." He has a new
album out in Japan and the United States, titled Coordinate (Japan: ESCL-9103,
US: TOF-002).
In an August 8 press conference, the artist revealed that he is a huge
manga fan and has an entire room in his house devoted to it. Along those lines, he
found it interesting that the word "otaku" has seemingly taken on a different meaning in
America (the difference being that it's generally acceptable to be "otaku" in America,
but has negative connotations in Japan). He expressed that he was thrilled to be
invited to perform at Otakon, and that he was enjoying his stay in America - which,
through his eyes, seemed a more relaxed environment than Japan.
Mr. Nishihata also discussed with the press some of the other
differences between Japan and America. He said that the comradery between cosplayers in
the United States seems greater, and was happy about the fact that conventions such as
Otakon were dispeling the cultural stereotype that Japan has nothing but samurai and
ninja. Conversely, he feels that the Japanese view of Americans is fairly accurate.
For his music, TM Revolution prefers the sound of real instruments, but
also acknowledges the benefits of digitized sound - such as added convenience. For his
American audiences, he wishes to convey the "sound of Japanese," so he will not likely
be rewriting any of his lyrics in English as some foreign artists do. He is very
enthusiastic, however, about the possibility of releasing more of his albums in the
United States.
Perhaps one of the best ways to describe the music of TMR is raw
energy. He has a rocker's voice, and his band knows the meaning of rock'n roll as
well. His energy flows into all his music, from the rock tunes to the dance numbers
and ballads. TM Revolution mentioned that he loves to play live, and would love to
perform in America again. Those of us who had the great privilege of seeing him perform
would love for him to return as well.
On behalf of Anime Dream, I would like to thank Otakon for inviting
this great artist to the United States, and Mr. Nishihata and Tofu Records for accepting
that invitation. We look forward to hearing more from TM Revolution and the many other
talented Japanese artists in the future.
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